
Mum and
Dad with 6 of us children - in 2000
We were
brought up in Rotorua - with Mum and Dad taking us on lots of bushwalks,
beach excursions, and family trips
- lots of fun and laughter with a family of 8 children, lots of games,
puzzles, songs and fun times.
Dad - an ecologist working for the Forestry Research Institute, and
Mum a nurse,
always caring for other people and giving a lot of her time, creativity
and talents to the Rotorua community.
The best parents anyone could ask for.
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Some
questions I have been asked about my painting
Who
or what inspires your work?
Firstly, my mother inspired me. She used to paint herself and
she loved painting landscapes and nature. Also my father's interest and
love of NZ forests and bush life has influenced me in a big way - affecting
my need to include the spirals, curves, shapes of trees and plants into
many paintings.
There are a few other artists who inspire me:
John
Sindelar. I attended classes with him for a while when I lived in
Australia. I love the brilliance of all his paintings. His landscape and
animal paintings are very bold and beautiful.
Theresa Reihana
- for her moden maori paintings and designs
Tim Wilson - for his amazing
landscapes
Gottfried
Lindauer - for his detailed paintings of the olden day Maori people
What
do you think is your best painting and why?
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'Essee'
is very special to me. I painted it to represent the Australian girl
in prison in Bali (Schapelle Corby). It is not about whether she is
innocent or guilty, but rather to represent the horrors she (or anyone)
must feel of being locked up and trapped. |
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'Rangimarie'
is a favourite. It is a large painting and I like the symbols and
the colours in it. It represents being still and peaceful - Rangimarie
means peaceful in maori - like someone waiting patiently. |
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'Acceptance'
is one of my favourites. It is like an imaginary land. I like the
bright orange and blue colours in it. |
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'Horace'
is another favourite. It may look a bit scary to people but to me
Horace is kind and protective and is calmy watching over us through
the years. He is wise because he's seen all the changes happening
in the world and he would be able to give us lots of advice. The cape
on Horace is textured - I pressed hessian cloth on the thick paint
so you can feel the netting patterns if you touch it. |
What
materials do you use?
My first paintings were done in oils. Now I only use acrylic
paints because they are quicker drying - and I tend to be a fast (and
sometimes impatient) painter. I also use mediums to add gloss or texture.
Lots of my paintings look flat in the photos on my website but in reality
some of them have raised surfaces or textured effects on them. Sometimes
I use other materials (like card or paper or leaves) to create different
effects.
What
techniques and styles do you use?
Anything that inspires me at the time.
I like to experiment and try different effects all the time. I often start
doing a background first. Sometimes I spread heaps of paint on and spread
it with a palette knife. Sometimes I splot paint on and swirl all the
colours together. Sometimes I put one or two colours on, leave the paint
to dry, then put other colours on top and scrape paint off to expose the
other colours underneath. My style changes according to how I feel and
according to what I'm thinking of painting. Sometimes I do abstract type
paintings and other times I do really detailed, realistic types of paintings.
I'm a real Gemini - that means I am changeable and do a real mixture of
things. I don't keep to one style like many artists do. Like many artists,
my emotions and feelings at the time have a big effect on what, and how,
I paint.
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